Recap: Gaming with Empathy Panel Discussion Part 1

Our presentation of “Gaming With Empathy: Creating Play For and With Others” went fantastic. Thank you to everyone who attended.  As requested, we’re blogging some of the bullet points we’d discussed.  This is about one-fifth of the presentation and focuses on strategies players (as opposed to designers) can do to play with empathy and empower others.

This main purpose of the workshop was to help participants identify cases of transferable privilege, determine plausible opportunities to empower others, and enjoy the freedom to make choices unfettered by win conditions and other arbitrarily constructed restrictions that limit play and fun. Our solution to noticing and possibly subverting in-game privileges and reimagining a new social co-creative space is to play with empathy.

To recap, we identified three types of empathy

  • Affective empathy, which tends to happen first, is the emotional reaction that happens neurocognitively through mirror neurons and amygdala reactions. You notice that someone else is feeling a certain way, sad for example, and you feel sad, too.
  • Cognitive empathy, which tends to happen next, is the thinking reaction whereby a person identifies and understands other peoples’ emotions and needs (a point of roleplay itself); also known as “perspective taking.”
  • “Compassionate empathy” or “active empathy,” whereby after feeling and thinking, you make the conscious choice to take a helpful, righteous action on behalf of others. This is the motivation to action we hope to incite in players who can make choices to make a gameplay experience that is collaborative and empowering for all players and can highlight and/or challenge institutional structures that may limit play for some.

We moved to highlighting some things you can do as a player no matter what type of game you’re in. We acknowledge, however, that some games make it easier to play with empathy than others. In a hierarchical larp with betrayal mechanics? Trust may be harder to come by. The bottom line is that you’ve got to play the game that you’re in.

One of the strategies is a shift in personal objectives of the game. We’re asking players to take risks and consider letting go of win-condition thinking. Games can fall along a ludus-paidia spectrum, and play includes both types, as Roger Caillois noted in 1961.

  • ludic goals are explicitly set up to demonstrate superiority, either in skill, strength, or good fortune of the winner or winners. There are clear victors and clear losers; the game has explicit win-conditions that require separating into winners and losers. Your goal is to be a winner, even though you know that not everyone can be. Players are expressly competitive with one another and their personal ludic outcomes are primary.
  • paidia is more open-ended, improvisational, play. Though sometimes characterized as not having goals, paidiac play does have rules, but it does not define winner and loser. There are goals and subgoals, but not win-conditions. The key objective is generally  to play together. We contend that although larps will have ludic goals and characters can and should play with a measure of competitiveness, that a larp itself operates primarily on the paidiac level of players choosing to play together for the experience of the event. The characters are competing and accomplishing ludic goals; the players are enacting paidia when you are gaming with empathy.

But how can I give up my competitiveness? Are you saying I should “play to lose?” Losing doesn’t feel good! We’d like to remind players that there are no non-diegetic (out-of-game) consequences to diegetic (in-game) failure, and that diegetic failure does not necessarily mean the game is over (barring permadeath, of course, but that’s another story).

Some of the tricks and techniques we offered to help encourage empathetic play include:

“What does failure feel like when it can’t hurt you?” – When you find yourself having difficulty letting go of ludic gameplay, I find it’s helpful to ask this.  It lets you assess that the risks you take in larp, do not often have very punishing failure conditions.  What would the gameplay be like if you didn’t have to try so hard to win at every turn?  Try exploring this!

  • “Imagine Others Complexly” – As a simple mantra of thought, it helps us resist our first conclusion regarding someone’s motivations and circumstances, which are often both knee-jerk responses and judgemental.  Entertaining the possibility of complicated motivations or circumstances helps get our thinking into a less reactive and more mindful state, necessary for empathetic play.
  • Dual Consciousness – In addition to trying to achieve immersion in your role, it’s helpful to try to also be conscious of the fact that you are a player in order to be mindful of others while you’re playing together.  When considering consequences for choices, it helps to think about how the choice will affect me as a player, other players, other players’ characters, and the overall gameplay experience.  Even if those questions are difficult to answer, merely raising them primes one’s thinking towards more mindfulness.
  • Betray Up – many larps are designed with a significant intrigue component to drive the game’s plot.  Intrigue, and it’s climax of betrayal, is not exactly all that conducive to empathetic play.  I’d like to suggest that in games like that which are also cases where power is distributed hierarchically, that one tries to avoid betraying “down” the hierarchy, taking a betrayal action against a character who is powerless to retaliate (which I call “kicking the dog”), and instead try to find ways to betray “up” the hierarchy, taking action against a character with plenty of means to retaliate (which I call “punching the man”).  Betraying up is incredibly risky, but as an attempt to try to reverse the standard flow of above in hierarchical games, I think it’s worth trying to explore. See letting go of ludic goals, above.
  • “Yeah!  What she said!” – Under normal circumstances, we don’t imagine a supportive voice to contribute much of value.  I would like to suggest that in larp, supportive voices are of incredible value.  A single supportive voice to someone’s idea or suggestion can help significantly to that person’s voice being heard, and their idea being given due consideration.  Our panel’s participants contributed the experience of making a suggestion which is ignored, and when the same suggestion is made by a player with some privilege, the suggestion is then deemed meritorious.  “Yeah!  That!” may feel a bit like the waving of pom poms, but in larp spaces, where so much of gameplay is derived from imagination and consensus, the act of being cheerleader for someone can produce great results.
  • “Reinforce Non-Standard Roles” – Similar to the above remark, explicitly supporting someone who is in a leadership role that defies non-diegetic (out-of-game) power dynamics can help.  Making it clear that your character firmly believes that the person in the authoritative role owns and deserves that authority can help overcome other players’ often unexamined tendency to disbelieve a player enacting the role whose embodied appearance doesn’t conform to their expectations of what that role would look like (e.g. a small female battle leader).  
  • “The Relationships You Form Are Better Than XP” – It helps to remember that when you leave a larp, all that you’ve achieved and accomplish don’t follow you back into non-diegetic space once the game is over.  The exception is that the relationships you form with the players do stay with you, and they are of incredible value.  Even in cases where gameplay is resumed from session to session, or there are opportunities for win-conditions during gameplay, it’s easy to imagine someone “winning” the game, but alienating other players to the point where they are not invited to form relationships.  Likewise, someone that “loses” but plays well with others and forms positive relationships with other players, can be said to leave the game with far more than they entered it with, and has, to a certain perspective, “won.”

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